SEPTEMBER 26 - 29, 2019

The Night of the Iguana at the Provincetown Tennessee Williams Theater Festival

The Night of the Iguana

by Tennessee Williams
DRAMA

South African and American artists stage Williams' vision of madness, endurance, and grace in a new production inspired by Japan's traditional Noh theater.
directed by Fred Abrahamse

featuring Gail Phaneuf, Marcel Meyer, and Everett Quinton

Abrahamse and Meyer Productions

Cape Town, South Africa

Performances

Thursday Sept 26, 4:00 pm – 7:00 pm
Friday Sept 27, 1:00 pm – 4:00 pm
Friday Sept 27, 7:30 pm – 10:30 pm
Saturday Sept 28, 2:00 pm – 5:00 pm
Saturday Sept 28, 8:00 pm – 11:00 pm
Sunday Sept 29, 2:00 pm – 5:00 pm
*Take 20% off groups of 6+ with code GROUP19*
$45
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The earthy widow Maxine Faulk runs a hotel at the edge of a Mexican cliff overlooking the Pacific Ocean. On a rainy and turbulent night, the hotel becomes a sanctuary for the defrocked Reverend Shannon, terrorized by his loss of faith.

Shannon has rerouted and held hostage a tour group from a West Texas women's college. They're joined on the jungle cliff by a family of grotesque Nazi vacationers, an iguana tied by its throat under the veranda, and a self-described New England spinster whose 97-year-old grandfather is “the world’s oldest living and practicing poet.”

Considered among the finest of plays written by Williams, The Night of the Iguana is staged by director Fred Abrahamse. The production features Gail Phaneuf, South African stage star Marcel Meyer, and the iconic Everett Quinton, a longtime member of the Ridiculous Theatrical Company.

Abrahamse and Meyer Productions previously produced Hamlet and Sweet Bird of Youth at the Festival in 2017, as well as Desire Under the Elms in 2016, The Milk Train Doesn’t Stop Here Anymore and The Day On Which a Man Dies in 2015, Mishima’s The Lady Aoi in 2014, and Kingdom of Earth in 2013.

About the Play

Often in a Noh play, a wandering monk asleep in the wilderness is haunted by a demonic dream. In The Night of the Iguana, the Reverend T. Laurence Shannon, a defrocked priest near madness, is terrorized by what he calls a spook. From out of the Mexican jungle the spook mocks Shannon’s loss of faith. When he calls out in agony, the three women who love him are powerless to help him -- or are they?

In his afterword to the play, "Acts of Grace," Kenneth Holditch wrote:

Tennessee was engaged most of his life in the struggle between the faith of his childhood and the growing skepticism brought on by the vicissitudes of life. With this play, the answer finally seems to have come so that like Hannah, although he has been “far from sure about God,” at this point he is no longer “as unsure as I was.”

This year's Festival staging is inspired by Japan’s Noh Theater, a form which can be said to have haunted Williams, infused with Williams appreciation for Yukio Mishima’s “Modern” Noh plays.

In addition to The Night of the Iguana, plays where Williams took on creating his own modern Noh include Suddenly Last Summer, The Day on Which a Man Dies, A Bar in a Tokyo Hotel, and Will Mr. Merriwether Return from Memphis?

Costume and Scenic Designs by Marcel Meyer

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